デトロイト出身のCarl Craigは、アメリカのテクノミュージシャン、DJである。グラミー賞にノミネイトされた事もありデトロイト・テクノの第二世代の一人に数えられる。ジャズ、ファンク、ハウスなど様々な音楽要素を盛り込んだ曲を作り、また曲調によって様々なアーティスト名義を使い分けて曲をリリースしている。
サイケ名義で1989年に初の曲をリリース、デトロイト・テクノの初期、 Derrick Mayによって発掘されたアーティストの一人で、彼のレーベルであるTransmatから作品をリリースしている。
Craig自身もレーベル” Planet-E “を運営し、 そこから69名義で「4 Jazz Funk Classics」、「Jam The Box」、Paperclip People名義で「Remake」、「Throw」、「Climax」、「The Floor」等、傑作EPを次々とリリースし、世界中で大ヒットを記録。 自身のほかにも Kevin Saunderson 、 Moodyman らが同レーベルからリリースしている。1999年には、自らの音楽の集大成、Innerzone Orchestraのアルバムを[Talkin' Loud]より発表。 ここ数年では「Tres Demented」というダンスフロアを熱狂させる強力なトライバル・トラックや、「Twilight EP」、「Darkness」といった傑作シングル、Laurent Garnier、Theo Parrish、Aardvarck、Terry Brookes and Aaron Soul等のremix、re-edit等数多くの楽曲を発表し、多くのDJ達にへヴィプレイされている。
シーンにおける十分な名声とリスペクトを得てもなお、新たな音楽をアグレッシヴに追求し、輝きに満ちた作品を創造し続けている。
Carl Craig is described as a creative visionary, a groundbreaking electronic music icon, an inspirational artist, an esteemed Grammy-nominated composer, a world-class DJ and an ambassador for his native Detroit. Yet the common thread that runs through Craig’s broad musical canon and creative projects is a resounding fascination with futurism. Carl Craig has cultivated a unique path as an artist, entrepreneur and civic leader, guided by his tendency toward forward thinking.
Craig released his first track in 1989. One of his earliest mentors and first collaborator was Derrick May, whose imprint Craig also released some of his early music on.
In 1991, wanting pure artistic freedom, Craig set up his own label Planet-E and released ‘4 Jazz Funk Classics’, under the moniker 69, as the label’s first release. From here his wild exploration of sound intensified…
A Gemini true to form, with a mind that never sits still, Craig has released a diverse range of experimental and groundbreaking music under a plethora of aliases including 69, BFC, C2, Innerzone Orchestra (‘Bug in the Bassbin’ was credited as the spark that inspired the evolution of drum‘n’bass), No Boundaries, Psyche, Paperclip People, Tres Demented, Urban Tribe and many more. He has also produced albums for the legendary Detroit Jazz collective Tribe as well as orchestrator / pianist Francesco Tristano and French producer Agoria.
Live he has collaborated with Les si?cles orchestra at Cit? de la Musique in Paris. A meeting of techno and classical music, the concert was described as “historical”, Craig went on to repeat the formula in Milan and Germany. He regularly performs live as experimental outfit Trio with Moritz Von Oswald and Francesco Tristano, sometimes as Narod Niki alongside Villalobos, Luciano, Richie Hawtin, Zip and others, and regularly does part live and part DJ with Luciano. Additionally he’s taken to occasionally bringing keyboardists like Mike Banks (UR), Amp Fiddler and Tristano into the DJ booth with him for special one-off gigs. He also improvised live to an Andy Warhol film at the Unsound Festival in New York. In 2011, Craig went live as 69 for the first time ever, fusing masks, darkness and the music of 69, Craig created 69’s own entity and previewed the show to a few select festivals and clubs around the world.
His remixes discography boasts some of the most desirable names in music ? LCD Soundsystem, Hot Chip, Junior Boys (nominated for a Grammy Award), Gavin Russom & Delia Gonzalez, Theo Parrish, Tori Amos, Can, Goldfrapp, Friendly Fires, Caribou, Tiga, Unkle, Yello and more.
As well as an outlet for his own productions, his Planet-E imprint has given a home to a wide range of Detroit-based artists including Francesco Mora Catlett, Naomi Daniel, Flexitone, Jason Hogans, Kenny Larkin, Monty Luke, Moodyman, Mike Agent X, Oliverwho Factory, Ezana Harris, Recloose, Reference, Kevin Saunderson, Big Tone, Tribe, Urban Tribe, and Chaz Vincent.
Staying strong to his Detroit roots, where he still lives today, Craig helped launched the Detroit Electronic music Festival in 2000 and remains a strong force at the festival today. He has also created and launched his non-profit 501-C3 Carl Craig Foundation: “The concept is to find ways to re-educate kids about what’s interesting musically that you can’t get on the radio… To develop a new music scene that follows the legacy of Detroit music being diverse and interesting, to spot out the most talented young musicians coming out of high school and lend small financial grants to encourage music education at a higher level.”
When Craig explains his philosophy, his wry sense of humor seeps into his explanations of far-reaching concepts that merge worlds together. “I have a very special career. When I feel that I’m tired of going on the road I can go in the studio. When I’m tired of concentrating on the studio I can go on the road. I can work with concert pianists, jazz musicians or rock guys. Very few people have that range of interests. Very few people juggle a career that they choose specifically.” No one else can pull it all together quite like Carl Craig.