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AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY

HACIENDA

04.28 (Sat) @ KANAGAWA 大磯ロングビーチ特設屋内/屋外会場 OISO LONG BEACH SPECTACULAR INDOOR & OUTDOOR VENUE

TECHNO, ELECTRONIC, ROCK, HOUSE.

Time: ^DAY 11:00 to 20:00

Cost: Various Tickets

Artists: The Charlatans Performing Tellin' Stories Set, PETER HOOK & THE LIGHT PERFORMING JOY DIVISION, Sharam, SATOSHI TOMIIE, X-PRESS 2, Sugiurumn, YODA, Audace, Lillies and Remains, BREMEN, GROOVE PATROL, RYO TSUTSUI, Aron T, HMS CONTROL

Event by: Eggworm , Stereforti , IMI , JASPEX

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AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY AUDIO | THE HACIENDA OISO FESTIVAL 19th Jan 2012
AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY AUDIO | THE HACIENDA OISO FESTIVAL 2012 interview with Peter Hook from Joy Division & New Order 09th Feb 2012
AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY Audio | Tokyo Electronic Music Festival 2010 09th Feb 2012
AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY Audio | Tokyo Electronic Music Festival 2010 - Octave One Interview 09th Feb 2012
AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY Audio | Tokyo Electronic Music Festival 2010 - Ken Ishii Interview 09th Feb 2012

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Headliner

BAND The Charlatans Performing Tellin' Stories Set

Rock

For more than two decades now, The Charlatans have been an inspirational force in British rock. As they celebrate their twentieth anniversary with some very special gigs, they remain as exciting and relevant now, as when they first broke through to the immortal strains of ‘The Only One I Know’ ? if not, more so, as a new generation of young bands and fans today hail them as lifelong heroes.

Rooted in the Midlands and Northwest of England, the band have always exuded positive energy, whether in the first mania of their success in the early ’90s, or while suffering their many tribulations midway through that decade, or in their sophisticated, ever-questing vitality today.

The unshakable line-up of Martin Blunt (bass), Jon Brookes (drums), Tim Burgess (vocals), Mark Collins (guitar) and Tony Rogers (keyboards) have, along the way, made so much beautiful, brilliant music ? countless classic singles, bursting with melody and class; and an enviable catalogue of albums, each restlessly different from the last, none anything short of compelling, uplifting, or totally rockin’. Unlike all but a very select few bands of their vintage, Charlatans albums are urgent, and full of life, both commercially and creatively.

Their eleventh studio collection, ‘Who We Touch’, must surely rank as their boldest to date, radically broadening, in places, their aesthetic remit. It is, says Burgess, “a soulful voyage”, a journey through moods upful and profound, dark and delirious, ultimately concluding in blissful optimism. Its sound is inspired by many heroes, yet always sounds like no-one other than The Charlatans themselves.

“You don’t want to do something you’ve done before,” Tim reasons. “You have to start with a blank page. You need to be enlightened. The dead give birth to dead things.”
* * * * *

For 2008’s ‘You Cross My Path’, The Charlatans were revved up on the groundbreaking idea of distributing their latest opus for free on the internet. Far from commercial suicide, it reinvigorated the public’s love for them, and they approached their follow-up record with fresh impetus. The whole process of making it began, however, a little earlier than they’d imagined.

“We were due to do an American club tour at the end of last summer,” Mark Collins recalls, “but then Jon [Brookes] had a mishap with his shoulder, so we ended up pulling the tour. Rather than sit around being idle, we decided to get cracking writing some tunes.”

In the past, their core writing team ? Tim, Mark, and Tony Rogers ? have generally convened at one of their homes, and written together. This time, ringing in the new, they each wrote separately, digging deep on their own for an intensive 12-week burst, in advance of studio time booked for December.

For his part, Tim sees his train of thought for the album beginning (as it often does) with his fanatical absorption of other music, at the dawn of 2009’s festival season. At Coachella, he was blown away by Throbbing Gristle (he was a TG virgin!), while at Primavera, he grooved on to My Bloody Valentine and Sonic Youth.

In June, Tim curated a day at the Isle of Wight Festival. His line-up, in the 10,000-capacity Big Top, featured a clutch of young acts ? The Horrors, Hatcham Social and The Pains Of Being Pure At Heart ? with whom Tim has struck up a rare cross-generational understanding. For the youngsters, Tim is an icon, an unswervingly cool British singer dude, who has been out there, living it and loving it, as long as they’ve been listening to music (or longer!). For Tim, their youthful energy has been contagious, reminding him that age is nothing but a frame of mind.

The Charlatans themselves headlined in style that day. Playing in the slot beneath them, Tim had a lifelong inspiration, one of the first bands he ever saw, Killing Joke, in their original late-’70s line-up, with Youth on bass. He watched The Horrors with Youth, and struck up a new friendship. Mark and Tony had actually already met the bassist in ’06, when, in his subsequent capacity as one of the hottest producers around, Youth was putting together a new version of their ’01 classic, ‘You’re So Pretty, We’re So Pretty’. Mark and Tony added a few overdubs back then, and liked his vibe.

While those two wrote at their respective retreats in Manchester (Mark) and Ireland (Tony), Tim beavered away across the Atlantic in his adopted hometown of North Hollywood, Los Angeles. “Rhys [Webb, The Horrors’ bassist] was in town,” he remembers. “I was saying, ‘What should I do, I’ve got this record to write?’ He was like, ‘What would Brian Eno do?’ ‘Yeah, good point! He would write loads of chords out, put them on his wall, and randomly just pick out chords’… And that was how I wrote the first song! It was a great way of starting something out of nothing.

“The whole of the last album was made up of three chords,” Tim continues, “every song was three chords. When we started making it, we knew we were giving it away for free, which felt like a very post-punk thing to do, so we went in with a three-chord attitude. But doing the same again this time would’ve been cheating ourselves, and the people who listen to us, so we tried to get in as many chord changes as possible, which immediately took it to another world.”

Early on, they decided to call in Youth, who, since his original stint in Killing Joke, has worked with artists as varied as Paul McCartney and Primal Scream, The Verve, Dido and The Drum Club, as their producer. Such versatility would prove essential as the ‘Who We Touch’ album unfolded. He also vibed up Burgess on Joseph Campbell’s ‘The Hero With a Thousand Faces’ ? a non-fictional book “about the responsibility of the artist, about having to be brave” ? which would have a massive impact on the singer.

After sending numerous ideas backwards and forwards to each other digitally, the five Charlatans convened to demo their first batch of songs at their own Big Mushroom studio in Cheshire. As ever, everyone contributed ideas: Mark chipped in with ‘Smash The System’, while Tony brought in ‘Your Pure Soul’ ? two complete musical pieces, to which Burgess added the lyrics and vocal melody. ‘Sincerity’, meanwhile, arose from a Krautrock-inspired jam between the band’s four UK-based instrumentalists, instigated by bassman Martin Blunt.

A month later, they laid down tracks with Youth over ten days at Britannia Row in Wandsworth (on the desk that New Order’s ‘Blue Monday’ was recorded on), followed by another five days at State Of The Ark in Richmond.

“We told Youth, we wanted the record to have the sound of a European winter,” says Tim, “with that fresh, crisp sound you get from some British records, but also something fearless, that was quite far-reaching, to challenge ourselves ? a real journey.” “Youth just comes in, smokes his weed and starts dancing around,” adds Mark, “If he likes something, he starts trying to fly. If you see him flapping his arms, you know he’s digging it.” “Yes,” Martin summarizes, “he’s a bit of vibemeister”.

In Joseph Campbell’s book, the author talks about the heroes of mythical sagas, who go through adventures and experiences, to emerge at the end with greater strength and wisdom. Such is the overall construction of ‘Who We Touch’. In ‘Your Pure Soul’, the singer comes to realise his own failing in trying to control his lover. The ‘motorik’ groover, ‘Sincerity’, meanwhile, finds him rather scornfully observing an excessively sincere person, but through that discovering something about himself: “With care it comes to me/I have autonomy and new possibilities”.

Though it has its melancholy, autumnal moments, ‘Who We Touch’ ultimately rises into optimism, with ‘Oh!’, a beautiful song of reconciliation, as complex as its shifting time signatures (one section is in 3/4 waltz time), and then ‘You Can Swim’, an exquisite ooze of ambience, reminiscent of ‘Another Green World’-era Eno, with whose creative ideas, of course, the album began.

As that track fades out into the ether, another circle is soon closed within the Charlatan narrative, on the hidden track, ‘I Sing The Body Eclectic’. When Tim was 13, his favourite band was Crass, the anarchist post-punk collective, and he still counts their 1981 album, ‘Penis Envy’, amongst his all-time Top Ten. Recently, he was introduced to Penny Rimbaud, Crass’s drummer, producer and ideological brains, whose portentous voice can now be heard booming the album’s story to an end on the grandest existential scale.

http://www.thecharlatans.net/

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AUDIO | THE HACIENDA OISO FESTIVAL 28(土)SATURDAY 29(日)SUNDAY

LIVE PETER HOOK & THE LIGHT PERFORMING JOY DIVISION

JOY DIVISION/NEW ORDER (UK)

Rock/ Live

Peter Hook, legendary bassist of both Joy Division and later New Order, has decided to honour the outstanding work of his first band and the undoubted genius of the late Ian Curtis by giving people the opportunity to hear both of Joy Division's masterpiece albums, "Unknown Pleasures" and "Closer", live and in their entireties. Backed by his band The Light, Hooky first played "Unknown Pleasures" at the Factory club in Manchester on May 18th & 19th 2010, before taking the show on the road throughout Europe, Australia/NZ and the United States.
One year on, on May 18th & 19th 2011, the band recreated "Closer" for the first time ever, before continuing to hit the road once again, with 2011 dates across Europe once again as well as in Brazil, the USA, Canada & Mexico.

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DJ Sharam

Yoshitoshi Recordings

House/ Techno/ Electro

Sharam’s most recent effort, ‘Sharam Live at Warung Beach Brasil’ recorded live at Warung, Brazil’s electronic ‘music temple’ stands as a testament to Sharam’s dedication to educating while entertaining the masses without any musical limitations. Not only was his head-turning 10-hour set a hit at Warung breaking the club’s all time attendance record, the set also formed the basis of a prestigious Essential Mix in May 2011 on BBC Radio 1, with Pete Tong describing Sharam “in devastating form.” Charting at #14 on the iTunes Dance chart the day after release along with an overwhelming outpour of praise from his fans proves his first compilation album in five years was well worth the wait.

“If I'm not in the studio making music then I'm on iChat with other artists getting their new tracks, going through promo links, Beatport, I listen to it all! I consider it an essential part of my job - to stay updated and ahead of the curve. There's more amazing music than ever before and right now I'm really into Sinisa Tamamovic, Pig & Dan and Paul Ritch from one side, and Excision, Flux Pavilion and Doctor P on the other side with everything else in between. I love soaking up the beats and am excited about what's next, that's what makes it all fun.”

One of the few dance acts who can effortlessly navigate between the nocturnal world of dance music with underground gems like “Crazi”, “Texi” and "Don't Say A Word" while scoring Top 20 hits internationally with “PATT (Party All The Time)” feat. Diddy, “The One” feat. Daniel Bedingfield, and “She Came Along” with Kid Cudi. His desire to never be confined to one genre of music has enabled him to constantly evolve and surprise people with his productions.

The success has continued this year with his Mach EP releases, which include "M.I.T.T.", an underground favorite featuring a powerful vocal hook from Shakira, and “Fun” a song written by Chris Martin of Coldplay.

The Grammy Award winning producer’s DJ sets exemplify the diversity of his production skills. He can rock a marathon underground set as well as effortlessly entertain a crowd of younger dance enthusiasts and VIPs in Vegas, Miami and Ibiza without compromising his art as a forward thinking DJ/Producer.

Already well known for his role as part of the legendary DJ duo Deep Dish which brought the world huge hits like "Flashdance" and "Say Hello", he is also the driving force behind the renowned Yoshitoshi record label using it as a vehicle to promote newly discovered talent from around the world.

“As a DJ, there is no better experience and gratification than sharing your love of music. Whether it is with thousands at a festival, or in a packed sweaty club. It's all about the back and forth between you and the audience, where they inspire you, and you inspire them. Discovering and playing new music is a constant source of inspiration for me. It's also very instrumental in shaping how I approach making music. Press loop, and that's how I'm able to do what I do for all these years.“

http://sharam.com/
http://www.myspace.com/sharamdish　

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DJ SATOSHI TOMIIE

SAW.RECORDINGS/DEF MIX

House/ Techno

Satoshi Tomiie is Japan’s most successful DJ. Since the late 1980s he has been at the forefront of the global house music movement thanks to his seminal dancefloor anthems, pop remixes, headliner DJ sets and constant reinvention.
A lifelong student of jazz and classical piano, Satoshi had an influential impact from his very first record. His debut single ‘Tears’, which he co-produced in 1989 with Chicago’s ‘Godfather of house’ Frankie Knuckles, was an instant club hit and is today considered one of house music’s most important moments.

In the early 1990s, he toured and played keyboard for Japanese composer Ryuichi Sakamoto (of Yellow Magic Orchestra fame). His reputation for crafting meticulous club rhythms led to him remixing some of pop’s biggest names including U2, Mariah Carey, Photek, Simply Red, and David Bowie.
At the turn of the millennium in a reinvention move typical of his DJ career, Satoshi introduced a groundbreaking new club sound via 2000’s ‘Full Lick’ album. The long-player featured dark twisted electronic rhythms, haunting vocals, and hypnotic grooves that came to set the benchmark for a new developing house scene. The album’s hit single ‘Love In Traffic’ became a worldwide underground hit.
Another source of house music renovation, Satoshi and Hector Romero’s record label SAW.Recordings has continued to refine the Chicago and New York City house blueprint over the last 10 years. A fine supporter of new producers, SAW most recently has championed a new generation of European-based house talent including Audiofly, Doomwork, Mabaan Soul, Tuccillo, and Guti.

In 2012, after a two-year absence from music production (Satoshi used the time to build a dream music studio in his NYC apartment), Tomiie is set to return with a whole new DJ sound, new singles, and remixes. His first offering is an 11 minute twisted piano house remix of Guti’s ‘Keep It’. The release is being supported by respected DJs and producers across the board including Marco Carola, Loco Dice, Reboot, Adam Port, Lee Burridge, 2000 And One, SIS, and Davide Squillace.

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DJ X-PRESS 2

イギリス

House

Such is their swashbuckling sense of adventure, it's hard to believe that X-Press 2 have been at the vanguard of British electronic music for two decades now. Whether it's as musicians, DJs or remixers, the London duo share the same sense of musical discovery that first united them on the acid-house dance floors of Shoom and Spectrum and the Balearic playgrounds of Ibiza. A pioneering spirit that fuelled early Nineties underground anthems such as the percussive, US-influenced Muzik Express and London X Press. And why not? Chutzpah that helped them create languid deep house classics like Lazy and Give It with vocalists as unlikely - yet inspired - as David Byrne of Talking Heads and Kurt Wagner of Lambchop. A DJ bravado that led to them thinking, two decks are for wimps. Why not six or seven? Why not twelve? The Three Musketeers have recently become two, with the departure of Ashley Beedle, but its full steam ahead for remaining members Rocky and Diesel. We shouldn't read anything into Beedle's absence beyond the pressures of combining his solo and production work with X-Press 2, insists Rocky. It just got to the stage where Ash was trying to do too much. He's the kind of guy who, if he could please everyone, he would, but it just wasn't conducive to producing good music on either side. It's absolutely cool between us - we're still good mates and the door is always open if he ever wants to get involved again. So, now X-Press 2 are two, what does the future hold? In short - loads. Lazy is currently to be heard at a cinema near you, as part of the soundtrack Byrne and Brian Eno contributed to Wall Street: Money Never Sleeps. Then there are the two EPs they've recorded with Tim Deluxe, a kindred spirit whom they got to know well when they shared DJ bills at the Ministry of Sound. Small-hours monsters such as Tonehead Chemistry and Siren Track combine the heads-down grooves with which they made their name (Classic X-Press 2, says Rocky) with spacious, action-packed breakdowns They're the most visceral, dance floor-geared productions Rocky and Diesel have been involved with for years. Obviously, with Ashley leaving, the dynamic has changed, says Diesel. But we are carrying on the X-Press 2 sound and developing it. The key is that the pair are as excited about music as they were when they first met in Hayes, Middlesex in the mid Eighties. In their DJ sets - now on a relatively restrained four decks and CDJs - and on their Thursday evening show for Ministry Radio they steer away from the Lazy era and chart a new course through 21st century house of every hue, from the lush and stately to the sparse and jacking. We are just overwhelmed by how much great stuff there is, smiles Diesel. We just can't get everything in. The pair see strong parallels between their Balearic formative years and the irreverent eclecticism of 2010. Our earliest influences were pre-house warehouse parties where you had rare groove, soul, jazz, go-go music, all different sorts of stuff being played, says Diesel. In Ibiza in the late Eighties, we'd be dancing to Acid Trax, then a Rolling Stones record, or the Woodentops. And 20 years later, says Rocky, there's a bit of that going on again. Clubs like the Social have an anything-goes ethos - King Tubby one minute, a dubstep record the next and then a house thing. When things get sectioned off you just lose all sense of progression or creativity, says Diesel. So when it came to working on their untitled forthcoming album, it was time to scale back the club dates and retreat to the studio armed with a spectrum of music old and new. With us, it's always records, because we're DJs and record collectors, says Rocky. Lately, their ears have been filled with everything from Fifties rockabilly, Sixties gospel and Eighties boogie through to up-to-the-minute gems by leftfield electronic voyager Caribou and Brooklyn house wunderkind Felix Feygin. As that colourful selection suggests, Rocky and Diesel retain their taste for the unexpected, especially when it comes to selecting guest vocalists. We always try and go for someone whose not associated with dance music, says Rocky. For the new album, that means people like Rob Harvey, former frontman of Leeds alt-rockers the Music, who previously collaborated with X-Press 2 on Kill 100 and co-wrote a new track called The Blast. The lyrics are quite cryptic, says Diesel. I haven't asked him what they mean yet. It's got a double chorus and its bit Lennon-ist that's Lennon, not Lenin. Things get fiercer on another album track, "This is War", which features Hannah Scanlon of Brighton's incendiary indie outfit Doll and the Kicks. "She's got a really powerful voice and the song is fucking nuts," says Diesel. "What really appealed to us is the fact that it's about war rather than throwing your hands in the air and loving everyone, " says Rocky. "We want war, we want shit to happen!" Indeed, in X-Press 2's world of limitless possibilities, only one thing is certain. We will never make a song that says; Take me higher, insists Diesel. That's just never gonna happen. Rest assured - Rocky and Diesel are as restless and averse to predictability as ever. Long may the adventure continue…

http://www.myspace.com/xpress2

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Event Gallery

Event Information

日本語
ENGLISH

ハシエンダ３０周年を祝す記念フェスがG.W.に大磯にて開催決定！
PETER HOOK & THE LIGHT、THE CHARLATANSを筆頭に総勢約５０組のトップDJ、バンドが２日間に渡り、繰り広げる音の祭典！！！

『俺はハシエンダが生みだしたスピリットをいまの時代にもう一度伝えたいんだ　ーピーター・フック（ジョイ・ディヴィジョン、ニュー・オーダー）ー』

2012年は音楽ファンに、とりわけUKロック・ファンにとっては特別な一年となるだろう。マンチェスターのレジェンド達が再び動きだし、3回目のサマー・オブ・ラブが巡ってくるかもしれない。そしてもうひとつ！そのレジェンド達がよりどころにしたマンチェスターの伝説のクラブ、ハシエンダの名を冠したフェスが開催される。
パンク以降、後の音楽シーンに最も影響を与えたムーブメントの中心だったクラブ、ライブ・ベニューであるハシエンダ。そのスピリット伝えるため、現場の当事者でもありジョイ・ディヴィジョン、ニュー・オーダーのメンバーでもあったピーター・フックのプロデュースにより、日本でもフェスが開催されることになった。今年はハシエンダ・フェスをヨーロッパを中心にいくつか行うとピーターは言う。その彼が日本のハシエンダ・フェスについてこう言っている。
『ハシエンダ初期の経営を支えていたもっとも重要な2枚のアルバムの再現ライブ、マッドチェスター時代を象徴するバンドであるシャーラタンズ、そしてハシエンダが世界的なシーンの震源地となったアシッド・ハウス時代からのUKハウスのオリジナイターであるエクスプレス・ツー、そして今のダンス・シーンのトップ・クリエイター達が出演するんだ！最高のパーティーにならないわけないだろう？』

80年代末、アシッド・ハウスの嵐はマンチェスターのハシエンダからイギリスへ上陸し、その後現在のダンス・シーンまで繋がる源流となった。と同時にザ・スミスやニュー・オーダーを生みだした街であるマンチェスターの数多くのバンドにロックとダンス・ミュージックの融合というアイデアを与えたのもまたハシエンダの功績だ。ザ・ストーン・ローゼズ、ハッピー・マンデイズ、ザ・シャーラタンズ、インスパイラル・カーペッツ、ジェイムスなど多くのバンドがマンチェスターから新しいサウンドを発信した、セカンド・サマー・オブ・ラブといわれた時代の希望に満ちたサウンドとメッセージはその後のマンチェスター最大のスターであるオアシスまで受け継がれている。

ハシエンダが火を点けたクラブ・カルチャーはシカゴ・ハウスやデトロイト・テクノをヨーロッパ的に進化させ、その後のスーパー・クラブそして多くのパーティーやレーベル、アーティストにはかりしれない影響を与えた。余談にはなるがケミカル・ブラザーズの二人が出会ったのはハシエンダに通うためにマンチェスター大学に入学したことがきっかけだ。

2000年以降、ロックもダンス・ミュージックも無軌道な創造性を失ってしまっているのではないだろうか？もっと音楽がワクワクしていた時代があったことや、パーティーで真剣に踊りながらバカ笑いしていた自分を思い出してみるのも楽しいのではないだろうか？
ゴールデン・ウィークの大磯はきっと気持ちのいい風が太平洋から吹いているだろう、この最高のロケーションでロックもダンス・ミュージックも楽しめる、当時を知っている世代もまったく知らないという若者もピーター・フックがハシエンダに込めたスピリットになにかを感じてくれたら嬉しい。

もしあなたが音楽ファンならば2012年の12月31日にこの一年を振り返った時、マンチェスターからのメッセージをいくつか受けとっているはずだ。そのひとつがこのフェスであれば最高だ。

Text by YODA TARO

More Info：
http://www.fac51thehacienda.jp/
公式twitter / ニュース: http://twitter.com/hacienda_jp →ハッシュタグ #fac51jp
お得な限定前売チケットは→ http://www.fac51thehacienda.jp/tickets.html

The incredible legacy that is universally known as?‘The Hacienda`, born in Manchester is about to explode in Japan. This deeply celebrated institution became the definitive name in the UK club music scene, characterized by its infectious energy and hedonistic expressionism.

2010 saw the first 'AUDIO' experience realized, offering electronic music enthusiasts an occasion to witness an exciting new event in a unique location. This years 2012 festival continues the revelry seeing a joining of forces, as the AUDIO | THE HACIENDA OISO FESTIVAL.

Set over 2 days, during Golden Week, delivering the next chapter in this dynamic musical enterprise, taking place at the spectacular Oiso Prince Hotel, overlooking the Pacific Ocean. Combining a signature musical quality and philosophy together with this original location, festival goers will be mesmerized by a diverse range of Rock, Dance, Electronica and Ambient styles from some of the worlds most ambitious live bands and DJs.

With 3 stages scheduled over two days and a commitment to euphonic ideologies, AUDIO | THE HACIENDA OISO FESTIVAL 2012 will prove to be the biggest and most inspiring event of the year!

More Info：
http://www.fac51thehacienda.jp/
News&tweet: http://twitter.com/hacienda_jp →ハッシュタグ #fac51jp
Ticket Info→ http://www.fac51thehacienda.jp/tickets.html

Artists

DJ Sugiurumn

JP/Tokyo

House

Sugiurumn is the one and only Japanese DJ/producer that is always in link with the world’s cutting edge house scene. It was in early 2000 that Sugiurumn first encountered Ibiza. He...Sugiurumn is the one and only Japanese DJ/producer that is always in link with the world’s cutting edge house scene. It was in early 2000 that Sugiurumn first encountered Ibiza. He was much inspired and returned the inspiration back to Japan. Sugiurumn’s album “Our History is Made in the Night” was released in 2004. This album drew large attention in the Japanese dance scene and single “Star Baby” became a smash hit. This track was remixed by Axwell and DJs all over the world all played this tune. “Star Baby” got licensed by Ministry Of Sound and became a hit tune not only in Tokyo, but all around the world. Sugiurumn’s powerful, passionate and latest DJ style rocked the weekends of Japan. His base club was Daikanyama Air, and the words of mouth quickly spread over the sea. In 2006, Sugiurumn was selected as the DJ of Pacha Ibiza’s mix CD and rocked the 4,000 people in the Pacha main floor. Sugiurumn achieved great credit from Pacha, and done Pacha Ibiza’s mix CD for 3 consecutive years.

In 2007, Sugiurumn signed with Avex and released “What Time is Summer of Love?” License offers from labels all over the world came flooding in for its recorded single “Travelling” and it was released worldwide from Pacha Recordings in 2008. Meanwhile the title track “What Time is Summer of Love?” was remixed by Richard Gray and got recorded in the first track of Pacha compilation. “What Time is Summer of Love?” became one of Pacha Ibiza’s biggest hit.

In July 2008, Sugiurumn challenged for a 24 hour play at Kyoto World. He made through this incredible journey from start to end. When the long play ended, the place was filled with great thrill and enthusiasm.

2009… This year is the 10th anniversary for artist Sugiurumn. His much anticipated first two best albums will be released 2010 february and March. In these albums, Sugiurumn’s past career as well as future visions will be fully presented.

…He will be the man to show us the next beat.

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DJ YODA

HORIZON/SLYE (JP)

Others

In 1989, he experienced Madchester Movement in Manchester. In 90s, since the dawn of Japanese dance scene, he has introduced many artists from overseas to Japan and produced variou...In 1989, he experienced Madchester Movement in Manchester. In 90s, since the dawn of Japanese dance scene, he has introduced many artists from overseas to Japan and produced various style of parties such as Mothership-The Ocean, Balearic Sunrise, and Fuji Rock's Day Dreaming. He released many original tracks under the name "Coralreef" and "YODA", In 2001, he started his own label "HORIZON"
As the word "Balearic" shows, he emotionally mix various styles of music such as House, Progressive, and Trance.

http://yodataro.com/

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DJ Audace

Inductive - T&F (FRANCE / JAPAN)

Hip Hop/ Electronic/ Dub Step

DJ-Turntablist-Trackmaker http://www.audaceradio.com Hailing from Nantes, France DJ Audace crushed into the Tokyo music scene in 2005, with clear eyes and a mind full of pushing...DJ-Turntablist-Trackmaker

http://www.audaceradio.com

Hailing from Nantes, France DJ Audace crushed into the Tokyo music scene in 2005, with clear eyes and a mind full of pushing the limits of hip-hop, dub step, rock, electro, drum and bass to and over the edge.

Dj Audace(which is french for audacity) rocks the name with a causal cool demeanor that is misleading in comparison to his fearless approach to formulating /mixing any and all genres of music into a set that gives Audace a unique appeal and distinct signature, making his stage/live show performances an experience in the ecstasy of rock, ruckus and rhyme.

During his 1st month in Tokyo, Audace made a V line for the Roppongi district and began cutting his teeth as a residence DJ in various clubs and bars in Roppongi as well as in Kawasaki and Yokohama. In 2006-2007, Audace upped his DJ stats when he took command of the music production in diverse projects but most notably 'Hibitanren' with the Life Penciled Crew producing all the tracks.

Following his production debut in 2007, DJ Audace continued to sharpen his stage/live show performances and as a DJ/turntablist. He has recorded and appeared live with various artists including: XLII, Hardliner and Blip Pilot.

When not taking part in various events in Tokyo, DJ Audace is a resident dj at Shimokitazawa GHETTO events. Carrying with him his unique style of multi-genre mixes, DJing, turntablism and live instruments for his live show.
By using multi- genres of music, cutting and styling the pieces back into a picture of sound of his own choosing, DJ Audace continues to re-define his own style as he defines the future sounds of music today.

He’s currently working on his first album ''Audace Radio'' to be released in 2011

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LIVE Lillies and Remains

Rock/ Punk

In the summer of 2007, Lillies and Remains a New Wave/Post Punk band suddenly appeared and is most likely to be "THE BAND" of the Japanese indie rock scene. With Kent (Vocals/Guit...In the summer of 2007, Lillies and Remains a New Wave/Post Punk band suddenly appeared and is most likely to be "THE BAND" of the Japanese indie rock scene.

With Kent (Vocals/Guitar) as the core of the band the members met attending the same college and formed in 2006 in Kyoto.

Neils Children is raised as one of their favorites which can be found/heard.
Their edgy yet metallic guitar sound is their bold characteristic that is their nucleus/weapon and their nihilistic sense completely makes a clear distinction from other bands.

Front man Kent started writing/composing songs around the age of 15, backed with an enormous knowledge of music he plants various hooks in the songs that can knock you out by listening once, and the killer tunes also give off the overwhelming presence to change the atmosphere of a place in a split moment.

In order to change not only Japan but also the rock scene of the world, the talent to watch out for has emerged from Japan... and they are Lillies and Remains.

The time has come. The talent finally takes off the veil to shake the world.

http://www.lilliesandremains.net/

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LIVE BREMEN

日本

Electronic/ Rock/ Live

■BREMEN http://www.bremen-net.com/ Bremen are a Tokyo based Electronica Rock Band formed in 2004. The members consist of vocalist Ely, multi-instrumentalist Kohjiro and programmer...■BREMEN http://www.bremen-net.com/

Bremen are a Tokyo based Electronica Rock Band formed in 2004. The members consist of vocalist Ely, multi-instrumentalist Kohjiro and programmer Haioka. Released in 2011, their third album "Skin" on KSR has gone down a storm, with singles from the album going to the summit of the itunes dance chart this album has been gathering momentum since its launch back in February at Shibuya`s mainstay rock venue Quattro. Raising public awareness of the band, the place was packed with a hugely international crowd, and the energy was charged throughout with Ely leading the show as usual with her ever charismatic performance. To see this band live is a real treat for the hippest kids in downtown Shibuya and beyond, the music is super charged and with its very bass heavy undertones providing a real booty shaker to anyone within hearing distance. The album contains chart topping tracks such as "Anoasa" and the very much hyped "Fusion" feat. Kochitora Haguretic Emcee`s on vocals.

Receiving critical acclaim on many reviews, both TV and radio stations throughout Japan the momentum has since been building and in the last 12 months alone Bremen have been taking stage at some of the biggest events in Japan such as; Summer Sonic, Audio | Tokyo Electronic Music Festival, Air France Music presents A380 Inspiration, Star Festival and the Gan Ban 10th Year Anniversary to name a few. So, keep an eye out for them in 2011 as things are looking even more impressive with some major live shows lined up, special releases and much, much more...

------------------------------------------------------------------------------------------------------------------------
Jly.2010:"Audio | Tokyo Electronic Music Festival" with DANIEL BELL. DJ KURASH ...and more
Nov.2010”AirFranceMusic presents A380 inspiration”
with THE SHOES / 80KIDZ / MONSIEUR MONSIEUR …and more
Jan.2011NEW ALBUM "SKIN" RELEASE PARTY "MITSUBOSHI #7"@SHIBUYA Club QUATTRO
Feb.2011"GAN-BAN NIGHT SPECIAL -GAN-BAN 10TH ANNIVERSARY"
with Scissor Sisters/Lovefoxxx(CSS)…and more

CD Relase :2011.1.19 Album “SKIN]” KSR http://www.ksr-corp.com/
※beatPort “ANOASA” [KSR]　http://beatport.com/s/r1naHf

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DJ GROOVE PATROL

Eggworm | AUDIO (UK)

House/ Techno

The unique and daring style of mixing that is exhibited by Groove Patrol in his sets has earned him a solid reputation as a true underground House DJ. He is passionate about pushin...The unique and daring style of mixing that is exhibited by Groove Patrol in his sets has earned him a solid reputation as a true underground House DJ.
He is passionate about pushing his sound as not a specific genre, but a blend of many influences from Jazz to Disco, Funk to Techno, Old Skool to Hip Hop, all with an undercurrent of groove that stays true to his moniker.
Using elements from his musical upbringing, he has been able to fuse together these sounds to create sets that are aimed at 'changing the way you listen to the music' irrespective of genre or relevance.

Having DJ'ed around the world in addition to promoting his Phonika event in Tokyo, Groove Patrol has been able to maintain a distinct freshness to his sound with a continued devotion to the underground. In 2010, he now finds himself the co-founder of Audio | Tokyo Electronic Music Festival which aims to bring a brand new festival concept to the worlds largest metropolis. Four massive arenas with the very best in Techno, House, Hip Hop and Electro with a healthy mix of top Japanese and international DJs and Live Acts.

In the last 12 months Groove Patrol has supported the likes of Pier Bucci, Pepe Bradock, Samuel L Session, Dyed Soundorom, Bodycode, D`Julz, Louie Vega, Xavier Morel, Oliver Ho, Exercise One, DJ Three, The Revenge, Adam Beyer, Joel Mull, Akufen, Guillaume, Chic Miniature, Shur-I-Kan, Fumiya Tanaka, Andrea Ferlin, Motor City Drum Ensemble, Sety, Funk D`Void, Derrick May, Francois K, Milton Jackson, Mountain People, John Tejada, Tania Vulcano & many more. Spinning regularly at Tokyo`s premier nightspots allows him to constantly push his very own take on electronic music.

http://audiotokyo.com - http://phonikatokyo.com - http://eggworm.jp

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DJ RYO TSUTSUI

EDEN, WEEKEND WARRIORZ (日本)

House/ Techno

Ryo began his music career in London as a rock drummer at the young age of fifteen. Since then he participated in more than 100 gigs between Tokyo and London, leading him to becom...Ryo began his music career in London as a rock drummer at the young age of fifteen. Since then he participated in more than 100 gigs between Tokyo and London, leading him to become a DJ in the year 2000.

Since beginning his DJ career in Tokyo, he soon became the resident DJ of "EDEN" at Club AIR in Tokyo. He not only became a popular DJ in Tokyo, but also helped create many parties, including a collaboration party with world class organizers such as Global Underground and Serious. These club events continue growing today, with over 500 people at each event, leading them to be known as one of the most respected underground parties in Tokyo.

On 2005, Ryo participated in a gig at Room in Melborune, Australia and made his first trip abroad as an artist. In 2006, his first original track `Smashing Pumpkin` was listed on a Compilation CD of EDEN, leading him to begin producing new music to compete in the Tokyo music scene. Later, in October of 2008, Ryo took off on a tour of Indonesia, including a gig for the Halloween party at 66 in Bali, which gathered over 1000 people and further strengthened his career as an artist in Asia.

Since 2008, Ryo began organizing a new party called “Weekend Warriorz”, bringing in artists such as Doc Martin (Sublevel/US) and Giles Smith (Secretsundaze/UK), Damian Schwartz (Oslo/spain), 2000 and One (100%pure/Amsterdam) which showed his passion and vision towards a new dimention of house music at an international level.

In February of 2009 he had his first gig in Bangkok, Thailand, which led him to start a radio program entitled "Tokyo Sessions" on the most famous dance music radio station in Bangkok - UB Radio. Also in 2009, Ryo won the Red Bull club event competition “RED BULL NIGHT MASTER” through EDEN and became known for the No.1 club party in Japan.

Ryo claims that his music is techno oriented house, but basically believes that categorizing music is meaningless, and always focuses on playing what he needs to express his feeling and enjoyment of music. This year Ryo won the PATAGONICA DJ Contest, organized by Parties 4 Peace, and has traveled to Chile, South America in February of 2010. He made a tour with 7gigs showing off his musical talent as the champion from Tokyo, Japan.

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DJ Aron T

dB UKi Events (London / Tokyo)

House/ Disco/ Techno

Aron T (dB UKi / Defected in the House, Tokyo) - A rising star in Tokyo, with over 17years experience behind the decks of London UK’s House scene and around the world. His experie...Aron T (dB UKi / Defected in the House, Tokyo) -

A rising star in Tokyo, with over 17years experience behind the decks of London UK’s House scene and around the world. His experience and talent have seen him spin and hold residencies at such legendary nights as Soul Heaven, Garage City and Housexy and take to the decks of the capitals top venues, including; Ministry of Sound, Pacha and Bar Rumba. These nights regularly put his sets along side respected DJs such as Kenny Carpenter (Studio 54), DJ Disciple (Catch 22), Norman Jay (BBC / MBE), Aaron Ross (BBC Radio1 Xtra / Defected / Fanatix) to name but a few.

Having been based in Tokyo since 2006, Aron has gained himself a respectable following amongst the city’s ‘heads’ from both the local and foreign community. Off the back of his own event creations, high profile DJ bookings and some very respectable residencies, his has become a household name in this thriving metropolis. 2007 saw the creation of Aron’s own event management company ‘UKi Events’ (which merged into ‘dB UKi Events’ in 2008) and his first Tokyo event ‘SOUL’, which drew on the true spirit of the London House scene. The DJ bookings soon flooded in after that, seeing him headline and hold residencies at such respected events as ‘CSH4’ @ super club ‘Womb’ and ‘SOLID’.

2008 was welcomed with co-organisational/promotional responsibilities and a residency for the world renowned ‘Defected in the House’ series @ super club ‘Air’, which put his sets along side such stars as ‘Dimitri from Paris’, ‘DJ Gregory’, ‘Sandy Rivera’, ‘Simon Dunmore’, ‘Charles Webster’, ‘The Shapeshifters’, ‘ATFC’, ‘Copyright’, ‘Yass’ & ‘Hardsoul’ and even gained him a place along side a plethora of these artists for the ‘Defected in the House 10th Anniversary’ at Tokyo mega-club ‘Ageha’. In parallel with this project, Aron re-launched the legendary ‘Junior Boys Own’ record label (now owned by Defected) in Tokyo with an event series featuring its owner and founder ‘Terry Farley’.

In a very segregated industry with foreign events on the one side and Japanese events on the other, Aron has been one of the very few foreign DJs able to charm his way into the Japanese community and remain, allowing him to enjoy both sides of the industry and perform to some very different audiences. Entering 2009, Aron’s diary filled up even further with regular bookings for Japanese run events ‘King Street Sounds’, ‘Cyber Japan’, ‘Hed Kandi’ & ‘Pacha’ having him play along side artists such as ‘Quentin Harris’, ‘MR.V’, ‘Danny Krivit’, ‘Sarah Main’ & ‘Chuckie’ and begin a series of appearances at super clubs ‘Warehouse’ & ‘eleven’ (formerly ‘Yellow’). Aron also started a series of monthly events at Tokyo’s ‘UNIT’, stepping away from his purest House routes and exploring all walks of dance music, with artists such as ‘Oliver Ho’ & ‘Ashley Beedle’.

In 2010 Aron took it upon himself to break new upcoming international talent in Tokyo, to educate and expose to the scene what had not yet fallen on Japanese ears, with artists such as Boddhi Satva (Vega Records / Yoruba Records / Offering Recordings). Aron was also an integral part of ‘AUDIO’, the first foreign organised 5000person+ 17hour electronic music festival to be held in central Tokyo!

Moving into 2011, Aron has been a mainstay of the Japanese clubbing scene and instrumental in nurturing it through difficult times. The opening of new super club ‘Sound Museum Vision’, saw Aron play a major part in events including the mighty ‘Basement Jaxx’ and the legendary ‘Louie Vega’!

As well as regular international bookings back at home in London, around Asia, Europe, Australia and even South Africa, this man knows how to light up a dance-floor!

http://www.dbuki.com
http://iflyer.tv/Aron-T

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DJ HMS CONTROL

Gypsy Badman x Le Champ (Tokyo / UK)

House/ Rock

We are house. We are indie. We are three. HMS CONTROL are Mike, Jake and Matt… each bringing a slice of their own musical taste to the disco. HMS CONTROL was born out of the popu...We are house. We are indie. We are three.

HMS CONTROL are Mike, Jake and Matt… each bringing a slice of their own musical taste to the disco.

HMS CONTROL was born out of the popular Tokyo event, CONTROL.

HMS CONTROL play a blinding set of 80s and 90s classics… carelessly switching between house, indie and acid, with a few surprises thrown in to keep kids dancing.

HMS CONTROL will be at a party near you soon. When you see us, dance.

Previous events:
CONTROL (Trump Room / Womb)
Short Pants Party (Seco / Trump Room)
Style Band (Club Asia)
Sniff Sniff (Trump Room)
+ more

Photos and mixes coming soon. Hold tight!

Web: www.modernfuss.com / www.jacobhodkinson.com
Twitter: @MF_Mike / @matthewelsom / @jacob_le_champ

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AUDIO | THE HACIENDA OISO FESTIVAL / ハシエンダ大磯フェスティバル@ 大磯ロングビーチ特設屋内/屋外会場

ハシエンダ３０周年を祝す記念フェスがG.W.に大磯にて開催決定！
PETER HOOK & THE LIGHT、THE CHARLATANSを筆頭に
総勢約５０組のトップDJ、バンドが２日間に渡り、繰り広げる音の祭典！！！

ARTIST LINE UP:

PETER HOOK & THE LIGHT PERFORMING JOY DIVISION
THE CHARLATANS PERFORMING TELLIN STORIES SET
SHARAM
SATOSHI TOMIIE
X-PRESS 2
SUGIURUMN
YODA
LILLIES & REMAINS
BREMEN
GROOVE PATROL

WITH MUCH MORE LINE UP TO COME...

Teaser Video >> www.youtube.com/eggwormtokyo

Listen to the Event Artists

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Audace Audace - Teleport EP - 02 Blast Off 1 week ago goto artist »
Audace Far Beats #1 [Bass For Your Trunk] 26th Jan 2012 goto artist »
Aron T AUDIO | THE HACIENDA OISO FESTIVAL - April 28th & 29th 2012 16th Jan 2012 goto artist »
GROOVE PATROL AUDIO | THE HACIENDA OISO FESTIVAL 14th Jan 2012 goto artist »
GROOVE PATROL Aliens Don't Dance Five 29th Dec 2011 goto artist »
Audace Family Business - Slew Earth (Audace Remix) 19th Dec 2011 goto artist »
Audace The Last Belly Dance in Tokyo [Free DL] 19th Oct 2011 goto artist »
GROOVE PATROL Aliens Don't Dance Vol 4. Mixed By Groove Patrol 30th Aug 2011 goto artist »
GROOVE PATROL Aliens Dont Dance Vol. 3 Mixed By Groove Patrol 09th Aug 2011 goto artist »
Aron T Aron T @ SOLID @ La Fabrique - NYE 2007-2008 01st Aug 2011 goto artist »
Aron T Aron T @ Summer Sounds @ La Puta - July 31st 2011 01st Aug 2011 goto artist »
GROOVE PATROL Aliens Dont Dance Vol. 2 Mixed By Groove Patrol 13th Jul 2011 goto artist »
GROOVE PATROL Groove Patrol @ The Social, Tokyo 13th Jul 2011 goto artist »
GROOVE PATROL Groove Patrol LIVE @ Phonika, Tokyo 13th Jul 2011 goto artist »
GROOVE PATROL Groove Patrol LIVE @ AUDIO | Tokyo Electronic Music Festival 13th Jul 2011 goto artist »
GROOVE PATROL AUDIO | Tokyo Electronic Music Festival 13th Jul 2011 goto artist »
GROOVE PATROL Groove Patrol LIVE @ Dommune, Tokyo 13th Jul 2011 goto artist »
Audace audace-aftershock-mix 28th Jun 2011 goto artist »
Aron T 100109 Dimitri_from_Paris_@_Air_-_Aron_T 24th Nov 2010 goto artist »
Aron T 090918 Danny_Krivit_@_Amrax_-_Aron_T 24th Nov 2010 goto artist »
RYO TSUTSUI ryotsutsui-patagonica-mix 25th Oct 2010 goto artist »