02.17 (Sat)
Sandro Perri combines long-burn drones, submerged rhythms and various instrumental sources (slide guitar, strings, accordion) to make shimmering soundscapes embedded with gorgeous melodic hooks.
Between 1999 and 2002, Sandro released a series of 12"s (by Cog, Dot Wiggin, and Polmo Polpo) on his own Audi Sensa label. These early Polmo Polpo tracks were compiled and re-issued on CD in 2002 by Alien8 Recordings, after which Perri began work on a proper full-length, issued by Constellation in 2003.
In recent years, Perri has been singing original songs either solo (employing kick drum and guitar) or with a rotating cast of improvisers in a project under his own name. A self-released CDr of such recordings was re-issued by Constellation in 2006, featuring re-interpretations of tracks from his Polmo Polpo oeuvre, marked by vocals and live group playing - and notably, no 'electronics'. A full-length recording of brilliant new tunes was released on Constellation in the autumn of 2007, where one can hear musical influences as diverse as post-tropicalia Caetano Veloso, Vanguard-era Skip James (and his weary falsetto), and the 60s-era axis of hybrid songwriters like Tim Buckley, Tim Hardi... More Biography
Between 1999 and 2002, Sandro released a series of 12"s (by Cog, Dot Wiggin, and Polmo Polpo) on his own Audi Sensa label. These early Polmo Polpo tracks were compiled and re-issued on CD in 2002 by Alien8 Recordings, after which Perri began work on a proper full-length, issued by Constellation in 2003.
In recent years, Perri has been singing original songs either solo (employing kick drum and guitar) or with a rotating cast of improvisers in a project under his own name. A self-released CDr of such recordings was re-issued by Constellation in 2006, featuring re-interpretations of tracks from his Polmo Polpo oeuvre, marked by vocals and live group playing - and notably, no 'electronics'. A full-length recording of brilliant new tunes was released on Constellation in the autumn of 2007, where one can hear musical influences as diverse as post-tropicalia Caetano Veloso, Vanguard-era Skip James (and his weary falsetto), and the 60s-era axis of hybrid songwriters like Tim Buckley, Tim Hardi... More Biography